Unlike
product or service advertising, there doesn’t appear to be much consequence to
running misleading or “fact-check”-worthy ads in national and local elections.
The real repercussions are often provided in alternative TV and print from the
opposing camp and this presidential year is no exception.
Sometimes
the advertising is just more noise in the atmosphere. But some ads have lasting
value and impact in the electorate’s collective mind.
In
both the Obama and Romney camps – there have been ads that have gotten as much
press about their content, than the number of airings they have had on
television. New York is at a particular loss in terms of media dollars since we
are not one of the critical swing states that are up-for-grabs and will probably
get the advertising barrage just prior to Election Day.
But writing as an undecided voter and
regardless of your loyalty, political advertisements that I believe are worthy
watching for their sheer intensity include:
Wall
Street meets Sesame Street: After
hearing the original mention in the first presidential debate about Governor
Romney’s belief in withholding federal funds for PBS the tweets went crazy over
poor Big Bird. I had heard and read a
little bit about this spot and my understanding is that
Sesame Workshop requested that it be
removed from the airwaves .
I do seem to remember seeing it during an airing of Saturday Night Live. Though
ironically, ,from the looks of the spot, it seems like it was developed
by SNL as opposed to being paid
advertising for the show!
The
Mute Button: This
commercial speaks to an article written by the well-known writer, Bob Woodward
suggesting that Obama’s Democratic leadership team put him on mute rather than
listen to him during discussion on the Stimulus package negotiations.
As asked
in the ad, “If he (Obama) cannot lead his own party, how can he lead America?”
According to an
Ad Age article, as of October 9, this spot never aired. Voters – you decide.
A
Blast from the Past: Whenever
I show students iconic or classic commercials, this
“Daisy” ad for President
Lyndon Johnson’s reelection campaign in 1964 must be considered.
Because
of its stark symbolism, it must be prefaced with an explanation: how President
Johnson was running against Barry Goldwater and this was, according to a report
from
ABC News the first use of
creative
political advertising to sell fears about the potential of nuclear war
under a Goldwater administration.
This
was advertising that hit you not just rationally (appealing to the mind) but
emotionally (appealing to the heart) too. It is exceptionally bold and supposedly lays
the groundwork for all the emotional appeals in political advertising that have
come ever since.
Political
advertising is meant to be as controversial as the candidates and their
positions. It is built to be noticed by the electorate and to get us aware and
involved.
But
stepping over that fragile line, from spirited to spiteful, from creative to
cruel can occur in an instant, or more appropriately, in 30 seconds. It is up to
us as citizens to watch carefully and not blink.
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